Whether you are fitting out a whole site or sorting one narrow galley run, the starting point is the same: a photo and a rough sketch. Note the ceiling height, the door swing and anything running along the wall, then tell us which setting you are working in. We read it against the right range, stainless or epoxy coated, and come back with a bay plan and cut list you can check before anything gets drilled.
Fit-out crews ordering across a site can flag a trade account on the request. Single bays for a small kitchen are just as welcome.
Not sure which finish suits your room? The approach page walks through how material and load ratings shape a bay plan.
Four settings, four sets of constraints. What stays the same across all of them is the way an order moves: you send what you have, we check it against the run, and the paperwork reflects the room rather than a catalogue default.
A photo and a rough sketch are usually enough to start. Ceiling height, pipework, door swing and the depth of the walkway all get checked against the bay run before anything is drawn up. If a number looks off, it gets queried rather than guessed at.
Stainless where washing, steam and food contact are routine. Epoxy coating in ambient dry stores where humidity stays low and the budget has to stretch across more bays. Mixed fit-outs are normal, and the upright gauge stays consistent so runs can be extended later.
Every bay carries a load rating, and it assumes weight spread evenly across the shelf. Concentrated stacks behave differently. Where a shelf is likely to take a corner load, the plan notes a mid-level support or a shorter span instead of leaving it to chance.
The cut list lists uprights, shelf counts, bracket positions, wall channels and corner gussets as separate lines. Assembly notes sit alongside it. Nothing is left as an assumption for the crew on site to fill in.
No ratings, no rankings and no promises about how a bay will perform in a room nobody has measured. The record is the measurements, the material choice and the load figures, and it stays with the order from first sketch to cut list.
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